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DTSTART;VALUE=DATE:20260602
DTEND;VALUE=DATE:20260603
DTSTAMP:20260603T074109
CREATED:20260407T061744Z
LAST-MODIFIED:20260407T061744Z
UID:14802-1780358400-1780444799@folkalender.dk
SUMMARY:Final Descent: Praed (LB)
DESCRIPTION:Scroll down for English ↓ \nI forbindelse med duoens nye plade\, Al Wahem الوهم\, vender de schweizisk-libanesiske eksperimentalister Praed tilbage til København med deres ekstatiske fusion af arabisk festmusik\, psykedelisk jazz og medrivende techno. \nDato: Tuesday 02.06.26\nDørene åbner: 19:30\nKoncert: 20:00\nPris: 140 dkr + gebyr i forsalg / 165 dkr i dørsalg\nSpillested: Basement\, Enghavevej 42\, 1674 København V \nPraed (LB)\nDen schweizisk-libanesiske duo Praed har netop udgivet deres sjette album\, Al Wahem الوهم\, og lægger i den forbindelse vejen forbi Basement på Vesterbro i København for endnu en gang at lukke københavnerne indenfor i deres medrivende blanding af hypnotisk shaabi og ekstatisk elektronisk musik. \nI 20 år har duoen skubbet til grænserne for\, hvor langt man kan trække den arabiske festmusik. Når Raed Yassins elektroniske\, kalejdoskopiske beats møder Paed Concas hylende klarinet\, åbner de et referencelandskab\, hvor libanesisk bryllupsmusik ubesværet låner fra spirituel jazz\, krautrockens motoriske rytmik og technoens medrivende trance. Resultatet lander et sted mellem ekstatisk religiøs musik og beskidt undergrund. \nSiden 2020 har de udforsket shaabi-musikken i orkesterformat med udgivelserne PRAED Orchestra! og opfølgeren The Dictionary of Lost Meanings (2025)\, som blandt blev kaldt “blissfully swirling and mesmeric music” af musiktidsskriftet The Wire. Nu er Praed tilbage i deres oprindelige duoformat med Al Wahem الوهم\, hvor de på fire langstrakte numre endnu en gang genopfinder deres effektfulde og medrivende elektroniske fusion – stadig med en lyd\, der føles både tidløs og helt sin egen. \n☉☉☉☉ ENGLISH ☉☉☉☉ \nIn connection with the duo’s new album\, Al Wahem الوهم\, the Swiss-Lebanese experimentalists Praed return to Copenhagen with their ecstatic fusion of Arabic party music\, psychedelic jazz\, and hypnotic techno. \nDate: Tuesday 02.06.26\nDoors: 19:30\nShow: 20:00\nPrice: 140 dkr + fee in presale / 165 dkr at the door\nVenue: Basement\, Enghavevej 42\, 1674 København V \nPraed (LB)\nThe Swiss-Lebanese duo Praed have just released their sixth album\, Al Wahem الوهم\, and are marking the occasion with a return to Copenhagen\, once again inviting local audiences into their captivating blend of hypnotic shaabi and ecstatic electronic music. \nFor two decades\, the duo have pushed the boundaries of how far Arabic party music can be stretched. When Raed Yassin’s electronic\, kaleidoscopic beats meet Paed Conca’s wailing clarinet\, they open up a rich sonic landscape where Lebanese wedding music effortlessly draws from spiritual jazz\, krautrock’s motorik rhythms\, and techno’s driving trance. The result sits somewhere between ecstatic devotional music and gritty underground energy. \nSince 2020\, they have explored shaabi in an orchestral format with the releases PRAED Orchestra! and its follow-up The Dictionary of Lost Meanings (2025)\, which was described by The Wire as “blissfully swirling and mesmeric music.” Now\, Praed return to their original duo format with Al Wahem الوهم\, where\, across four extended tracks\, they once again reinvent their potent and immersive electronic fusion\, still sounding both timeless and entirely their own.
URL:https://folkalender.dk/arrangement/final-descent-praed-lb/
LOCATION:Basement\, Enghavevej 42\, København\, 1674\, Denmark
CATEGORIES:Koncert
ATTACH;FMTTYPE=image/png:https://folkalender.dk/wp-content/uploads/2026/04/Tikkio.png
ORGANIZER;CN="Final Descent":MAILTO:martin@finaldescent.org
GEO:55.667788;12.544106
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DTSTART;TZID=Europe/Helsinki:20251119T193000
DTEND;TZID=Europe/Helsinki:20251119T200000
DTSTAMP:20260603T074109
CREATED:20250918T130417Z
LAST-MODIFIED:20250918T130621Z
UID:13072-1763580600-1763582400@folkalender.dk
SUMMARY:Goblin Band (UK) + Cuirass (DK)
DESCRIPTION:Glæd dig til en aften med middelaldermelodier\, dansemusik fra det 16. århundrede og moderne fortolkninger af traditionelle engelske folkesange\, når det britiske queer folk-kollektiv Goblin Band indhyller Basement i mystik og galskab med deres karismatiske\, punkede og inkluderende take på århundreders engelske musiktraditioner. Den lokale bardcore-duo Cuirass sætter stemningen med en solid omgang middelalderballader. \nOnsdag 19.11.2025\nDørene åbner: 19.00\nShow: 20.00\nPris: 140 dkr + fee\nVenue: Basement\, Enghavevej 42\, 1674 København V \nGoblin Band (UK)\nGoblin Band er en London-baseret\, queer folkemusikkvartet\, der rekontekstualiserer Englands musikalske arv med lige dele ufiltreret glæde og humor – men altid med en kompromisløs dedikation til traditionens håndværk. Gruppen blev dannet under Covid-pandemien\, hvor medlemmerne mødte hinanden gennem uformelle jam-sessions arrangeret af et ungt miljø af folkemusikere omkring instrumentbutikken Hobgoblin Music i London. Kvartetten består af fire sangere og multiinstrumentalister\, der henter inspiration i den engelske sangskat og middelalderlige melodier. \nGennem den engelske folkemusik fremhæver Goblin Band paralleller mellem tidligere tiders og nutidens politiske spændinger og sociale udfordringer. Klassekampen og de politiske fløjes modsætninger er fortsat højaktuelle\, og gruppen formidler disse temaer med stor overbevisning gennem flerstemmig sang\, harmonika\, drejelire\, violin og et væld af andre traditionelle instrumenter – altid med en blanding af humor\, alvor\, indlevelse og teknisk kunnen. \nI 2023 udgav de deres debut-EP Come Slack Your Horse!\, hvor de dykker ned i sange og melodier fra det 17. århundrede. Med et glimt i øjet bruger de 300 år gamle tekster til at kommentere nutidens politiske spændinger. Som MoofMag skrev om udgivelsen: \n“In short\, ‘Come Slack Your Horse!’ is one of the most magnificent things this listener has heard in a long\, long time. Folk music isn’t just safe in Goblin Band’s hands\, it thrives\, takes new and old shapes alike\, and is in thrillingly healthy form. Whatever they do next\, be on board.” \nCuirass (DK)\nTo nyligt udnævnte riddere\, som lever i Europas middelalderlige storhedstid\, præsenterer gennem bardernes historier på kroen – de smukkeste og de mest dystre – en fortælling om stolthed og grådighed\, letsindige sysler og rivalisering\, bønder og aristokrati\, riddervæsen og adelskvinder. En fortælling om en skinnende brystplade.
URL:https://folkalender.dk/arrangement/goblin-band-uk-cuirass-dk/
LOCATION:Basement\, Enghavevej 42\, København\, 1674\, Denmark
CATEGORIES:Koncert
ATTACH;FMTTYPE=image/jpeg:https://folkalender.dk/wp-content/uploads/2025/09/544847559_122235950096182206_8470755176944850581_n.jpg
ORGANIZER;CN="Final Descent":MAILTO:martin@finaldescent.org
GEO:55.667788;12.544106
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BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20251105T193000
DTEND;TZID=Europe/Helsinki:20251106T233000
DTSTAMP:20260603T074109
CREATED:20251103T075530Z
LAST-MODIFIED:20251103T075530Z
UID:13444-1762371000-1762471800@folkalender.dk
SUMMARY:05.–06.11.25: Closer To Final Descent #2 – Two Nights of Recontextualized Folk Music
DESCRIPTION:Embark on a mini-festival filled with surprising takes on folk music from around the world. \nCloser To Final Descent is our series of extended events where we pair multiple live performances in exciting and unexpected ways. Edition #2 brings together traditional folk\, hyper-glitch\, dusty techno\, and hypnotic rock over the course of two nights—presenting roots music that either challenges its origins or recontextualizes centuries-old traditions in a new\, contemporary light. \nDate: 05.–06.11.25\nDoors: 19:30\nShow: 20:00\nVenue: Basement CPH\, Enghavevej 42\, Copenhagen \nWednesday Nov 5th: \nGordan (RS/DE)\nGordan is a collaboration with renowned Serbian singer Svetlana Spajić alongside Andi Stecher and Guido Möbius. The group explores the strengths and sensitivities of Spajić\, Stecher\, and Möbius across their respective musical realms\, engaging in a constant dialogue between sound and noise that brings traditional Balkan singing into play with hypnotic drum beats\, rich feedback experiments\, and cool minimalism. Expect a theatrical performance that utilizes the space between the audience\, set against a backdrop of hypnotic psychedelia and expressive Serbian folk singing. \nLipbalm (DK)\nlipbalm is a duo in the making. For this specific show\, lipbalm unfolds across genres\, embracing pop songs\, improvisations\, and collage works in one breath. The live performance is accompanied by a narrative video essay composed of phone footage\, internet samples\, scripted scenes\, and fragments of text. lipbalm is a local Copenhagen-based songwriter and composer. \nKwiotki (PL)\nKwiotki – three voices intertwined in archaic “white voice” singing. They revive forgotten Polish and Ukrainian folk songs\, giving them a trance-like\, mystical character. Tradition meets hurdy-gurdy\, bass synthesizer\, and frame drum\, creating a sound that is raw\, ritual\, and contemporary at the same time. \nThursday Nov 6th: \nJrpjej (NC)\nJrpjej (Ored Recordings) is a post-traditional Circassian ensemble that blends acoustic instruments like shichepshin\, apapshin\, and accordion into a dense\, intense sound reminiscent of metal or experimental electronics. Fronted by vocalist and theatre actress Svetlana Mamresh\, the group explores the intersection of Circassian tradition\, European classical music\, and forgotten North Caucasian folk practices. \nOnly Now (US)\nOnly Now is the alias of Indo-Californian producer Kush Arora. Fusing deconstructed Punjabi music with industrial\, dancehall\, and noise\, Only Now is an unbridled expression of Arora’s eclectic influences\, Indian heritage\, and long-standing presence in the Bay Area underground since the ’90s. A project that pushes experimental electronics\, soundsystem culture\, and traditional Indian music into uncharted territory\, Only Now conjures a soundworld that is both exceptional and unparalleled. \nsophie-lou (DK)\nEmotions lay bare in sophie-lou’s universe. Behind the artist name stands songwriter\, producer\, and singer Sofie Thorsen. With a background in the Danish National Girls’ Choir\, sophie-lou merges the harmonies associated with the Danish song tradition with gritty DIY sounds\, off-kilter synths\, and a deeply personal and direct lyrical universe. The result is grand yet vulnerable\, and sophie-lou invites the listener into a space where the personal becomes universal.
URL:https://folkalender.dk/arrangement/05-06-11-25-closer-to-final-descent-2-two-nights-of-recontextualized-folk-music-2/
LOCATION:Basement\, Enghavevej 42\, København\, 1674\, Denmark
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://folkalender.dk/wp-content/uploads/2025/11/d723a4_e00acd01d5e0472089e686827f03b62amv2-1.jpg
ORGANIZER;CN="Final Descent":MAILTO:martin@finaldescent.org
GEO:55.667788;12.544106
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Basement Enghavevej 42 København 1674 Denmark;X-APPLE-RADIUS=500;X-TITLE=Enghavevej 42:geo:12.544106,55.667788
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20251105T193000
DTEND;TZID=Europe/Helsinki:20251106T233000
DTSTAMP:20260603T074109
CREATED:20251103T075419Z
LAST-MODIFIED:20251103T075419Z
UID:13441-1762371000-1762471800@folkalender.dk
SUMMARY:05.–06.11.25: Closer To Final Descent #2 – Two Nights of Recontextualized Folk Music
DESCRIPTION:Embark on a mini-festival filled with surprising takes on folk music from around the world. \nCloser To Final Descent is our series of extended events where we pair multiple live performances in exciting and unexpected ways. Edition #2 brings together traditional folk\, hyper-glitch\, dusty techno\, and hypnotic rock over the course of two nights—presenting roots music that either challenges its origins or recontextualizes centuries-old traditions in a new\, contemporary light. \nDate: 05.–06.11.25\nDoors: 19:30\nShow: 20:00\nVenue: Basement CPH\, Enghavevej 42\, Copenhagen \nPROGRAM \nWednesday Nov 5th: \nGordan (RS/DE)\nGordan is a collaboration with renowned Serbian singer Svetlana Spajić alongside Andi Stecher and Guido Möbius. The group explores the strengths and sensitivities of Spajić\, Stecher\, and Möbius across their respective musical realms\, engaging in a constant dialogue between sound and noise that brings traditional Balkan singing into play with hypnotic drum beats\, rich feedback experiments\, and cool minimalism. Expect a theatrical performance that utilizes the space between the audience\, set against a backdrop of hypnotic psychedelia and expressive Serbian folk singing. \nLipbalm (DK)\nlipbalm is a duo in the making. For this specific show\, lipbalm unfolds across genres\, embracing pop songs\, improvisations\, and collage works in one breath. The live performance is accompanied by a narrative video essay composed of phone footage\, internet samples\, scripted scenes\, and fragments of text. lipbalm is a local Copenhagen-based songwriter and composer. \nKwiotki (PL)\nKwiotki – three voices intertwined in archaic “white voice” singing. They revive forgotten Polish and Ukrainian folk songs\, giving them a trance-like\, mystical character. Tradition meets hurdy-gurdy\, bass synthesizer\, and frame drum\, creating a sound that is raw\, ritual\, and contemporary at the same time. \nThursday Nov 6th: \nJrpjej (NC)\nJrpjej (Ored Recordings) is a post-traditional Circassian ensemble that blends acoustic instruments like shichepshin\, apapshin\, and accordion into a dense\, intense sound reminiscent of metal or experimental electronics. Fronted by vocalist and theatre actress Svetlana Mamresh\, the group explores the intersection of Circassian tradition\, European classical music\, and forgotten North Caucasian folk practices. \nOnly Now (US)\nOnly Now is the alias of Indo-Californian producer Kush Arora. Fusing deconstructed Punjabi music with industrial\, dancehall\, and noise\, Only Now is an unbridled expression of Arora’s eclectic influences\, Indian heritage\, and long-standing presence in the Bay Area underground since the ’90s. A project that pushes experimental electronics\, soundsystem culture\, and traditional Indian music into uncharted territory\, Only Now conjures a soundworld that is both exceptional and unparalleled. \nsophie-lou (DK)\nEmotions lay bare in sophie-lou’s universe. Behind the artist name stands songwriter\, producer\, and singer Sofie Thorsen. With a background in the Danish National Girls’ Choir\, sophie-lou merges the harmonies associated with the Danish song tradition with gritty DIY sounds\, off-kilter synths\, and a deeply personal and direct lyrical universe. The result is grand yet vulnerable\, and sophie-lou invites the listener into a space where the personal becomes universal.
URL:https://folkalender.dk/arrangement/05-06-11-25-closer-to-final-descent-2-two-nights-of-recontextualized-folk-music/
LOCATION:Basement\, Enghavevej 42\, København\, 1674\, Denmark
CATEGORIES:Festival
ORGANIZER;CN="Final Descent":MAILTO:martin@finaldescent.org
GEO:55.667788;12.544106
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